
Sakari Oramo
Oramo conducts Turangalîla-Symphony
Richly Hued Orchestral Music about Love, Life and Death
Chief Conductor Sakari Oramo takes on the utterly fascinating Turangalîla-Symphonie by Olivier Messiaen: a large-scale orchestral work from 1948, inspired by the myth of Tristan and Isolde. Messiaen himself called the richly hued music a love song, and the evocative title can be translated into a hymn about love, movement, life and death.
The ondes Martenot, an electronic instrument, plays an important role in the work and can be recognised by its ghostly tones. It is played here by Cynthia Millar, who has collaborated on over 100 performances of Turangalîla-Symphonie for 30 years! The piano part is played by Roland Pöntinen, one of our leading pianists and a frequent guest at Konserthuset Stockholm.
First we will hear music by Béla Bartók. The Viola Concerto from the year of his death, 1949, perhaps the best known viola concerto ever, will be performed by French Antoine Tamestit. He is a highly coveted soloist and chamber musician whose playing has been described as both refined and passionate. The Viola Concerto is beautifully illuminated by the heartfelt quality that permeated Bartók’s later compositions.
-
The music
Approximate times -
Béla Bartók Viola Concerto arr Peter Bartók/Nelson Dellamaggiore21 min
-
Encore:
-
Béla Bartók Máramarosi tánc (Dance from Maramaros) from 44 duos, version for violin and viola1 min
-
Intermission25 min
-
Olivier Messiaen Turangalîla Symphony78 min
-
Participants
- Royal Stockholm Philharmonic Orchestra
- Sakari Oramo conductor
- Antoine Tamestit viola
- Cynthia Millar ondes martenot
- Roland Pöntinen piano
- Andrej Power violin