Royal Stockholm Philharmonic Orchestra

Nina Stemme is one of Sweden’s most internationally acclaimed dramatic sopranos. She regularly sings on the world’s most prestigious opera stages: the Vienna State Opera, London Royal Opera House in Covent Garden, La Scala in Milan, Metropolitan Opera in New York and the operas in Frankfurt and Zürich. She has performed at Konserthuset Stockholm on multiple occasions, most recently in May 2020 in a concert livestream with the Royal Stockholm Philharmonic Orchestra under its Conductor Laureate Alan Gilbert.

The Royal Stockholm Philharmonic Orchestra is led by American star conductor Karina Canellakis, who has worked with the orchestra on many occasions in recent years. She is chief conductor of the Netherlands Radio Philharmonic Orchestra and principal guest conductor of the London Philharmonic Orchestra as well as the Rundfunk-Sinfonieorchester Berlin. Karina Canellakis will be back with us again already in April 2021, to conduct Mahler's Kindertotenlieder with Peter Mattei as soloist.

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Ticket information

The concert will take place with an audience of maximum 300 people in the hall. The costumised seating plan allows only single seats.

Read more about how we work for a safe concert visit

This year’s international composer festival at Konserthuset is dedicated to Austrian composer Olga Neuwirth, one of the major stars of contemporary classical music.

Her music includes traces of Stravinsky, Monteverdi, jazz, pop and hip-hop. But its roots reach all the way back to Gustav Mahler, Alban Berg and Arnold Schoenberg. She is also particularly inspired by visual arts, performance and installation art, literature, theatre and film. It all merges in her music into something entirely new, personal, and infused with a contemporary sound.

Olga Neuwirth was born in 1968 and began playing trumpet at a young age, but a jaw injury put a stop to that career. However, the trumpet is still important to her and this year’s Composer Festival will open with Laki for solo trumpet, followed by fanfare from the opera Orlando, which had its world premiere at the Vienna State Opera in October 2019. It was the first time an opera by a female composer was performed on that historic stage.

With celesta, a chorus of violins and a richly armed percussion section, Olga Neuwirth teases out surprising effects from the orchestra in Clinamen/Nodus. It was commissioned in honour of the 75th birthday of Pierre Boulez. He conducted the world premiere himself in London in 2000.

Masaot/Clocks without Hands was also commissioned in celebration of a composer, this time by the Vienna Philharmonic in honour of the 100-year anniversary of the death of Gustav Mahler. The music is a poetic reflection on time and how memories fade and are re-created. An enormous tapestry of sound unleashes exuberant music from the Balkans, but with a different, peculiar atmosphere.

At the opening concert, we will also get to experience the world premiere of Keyframes for a Hippogriff – Musical Calligrams in memoriam Hester Diamond. The music is a tribute to American art collector Hester Diamond and simultaneously conveys her great interest in film technique. Keyframes are the drawings in computer-animated movies that define the start and end of a smooth movement.

This year’s international composer festival at Konserthuset is dedicated to Austrian composer Olga Neuwirth, one of the major stars of contemporary classical music.

Her music includes traces of Stravinsky, Monteverdi, jazz, pop and hip-hop. But its roots reach all the way back to Gustav Mahler, Alban Berg and Arnold Schoenberg. She is also particularly inspired by visual arts, performance and installation art, literature, theatre and film. It all merges in her music into something entirely new, personal, and infused with a contemporary sound.

Olga Neuwirth was born in 1968 and began playing trumpet at a young age, but a jaw injury put a stop to that career. However, the trumpet is still important to her and this year’s Composer Festival will open with Laki for solo trumpet, followed by fanfare from the opera Orlando, which had its world premiere at the Vienna State Opera in October 2019. It was the first time an opera by a female composer was performed on that historic stage.

With celesta, a chorus of violins and a richly armed percussion section, Olga Neuwirth teases out surprising effects from the orchestra in Clinamen/Nodus. It was commissioned in honour of the 75th birthday of Pierre Boulez. He conducted the world premiere himself in London in 2000.

Masaot/Clocks without Hands was also commissioned in celebration of a composer, this time by the Vienna Philharmonic in honour of the 100-year anniversary of the death of Gustav Mahler. The music is a poetic reflection on time and how memories fade and are re-created. An enormous tapestry of sound unleashes exuberant music from the Balkans, but with a different, peculiar atmosphere.

We also get to experience the world premiere of Keyframes for a Hippogriff – Musical Calligrams in memoriam Hester Diamond. The music is a tribute to American art collector Hester Diamond and simultaneously conveys her great interest in film technique. Keyframes are the drawings in computer-animated movies that define the start and end of a smooth movement.