Photo: Mats Lundqvist
Photo: Mats Lundqvist
With over 100 concerts a year and creative programming, it’s an orchestra constantly evolving. The Royal Stockholm Philharmonic Orchestra has probably never been better.
The Royal Stockholm Philharmonic Orchestra is today among the most active streaming players worldwide. With its digital platform Konserthuset Play, the orchestra offers a comprehensive library of filmed performances which are available for free streaming anywhere in the world.
In the following sections, you can read more about the orchestra's history since 1902 – its historic chief conductors, guests and tours – and get acquainted with the members of the orchestra of today.
Anu Komsi is the soloist and the orchestra is led by Conductor Laureate Sakari Oramo.
Thursday 28 September 2023 18.00Anu Komsi. Photo: Jan-Olav Wedin
Sakari Oramo. Photo: Yanan Li
Members from the Royal Stockholm Philharmonic Orchestra. Photo: Yanan Li
Anu Komsi is the soloist and the orchestra is led by Conductor Laureate Sakari Oramo.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
The Main Hall seating planTwo prominent Finnish names in music are Royal Stockholm Philharmonic Orchestra’s Conductor Laureate Sakari Oramo, and Anu Komsi, celebrated for her crystal-clear soprano and light, high register. Here, they take on Saarikoski Songs by fellow countryman Kaija Saariaho, a piece that was commissioned by Komsi. Saariaho’s expressive, painterly music is infused with a rare beauty that made her unique in the world of modern classical music. She passed away in June earlier this year, at 70 years of age.
A female pioneer preceding Saariaho was Grace Williams. She studied under Vaughan Williams and became established by the mid-twentieth century, and was also Wales’ first symphonist. Her Fairest of Stars for soprano and orchestra is a shimmering, beautiful piece with text from John Milton’s Paradise Lost.
Sinfonia da Requiem from 1940 was a Japanese commission for a piece of music in celebration of the 2600-year anniversary of the founding of the Japanese Empire. Pacifist Benjamin Britten provided an incredibly powerful, yet deeply fateful work that surprised everyone.
The concert begins with music by American Andrew Norman (born 1979), which the Los Angeles Times described as “the leading American composer of his generation.” We hear his imaginative, vivid, and – as the title suggests – loose-lipped Unstuck.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
The Main Hall seating planThe Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
The Main Hall seating planAnu Komsi is the soloist and the orchestra is led by Conductor Laureate Sakari Oramo.
Saturday 30 September 2023 15.00Anu Komsi. Photo: Jan-Olav Wedin
Sakari Oramo. Photo: Yanan Li
Members from the Royal Stockholm Philharmonic Orchestra. Photo: Yanan Li
Anu Komsi is the soloist and the orchestra is led by Conductor Laureate Sakari Oramo.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
The Main Hall seating planTwo prominent Finnish names in music are Royal Stockholm Philharmonic Orchestra’s Conductor Laureate Sakari Oramo, and Anu Komsi, celebrated for her crystal-clear soprano and light, high register. Here, they take on Saarikoski Songs by fellow countryman Kaija Saariaho, a piece that was commissioned by Komsi. Saariaho’s expressive, painterly music is infused with a rare beauty that made her unique in the world of modern classical music. She passed away in June earlier this year, at 70 years of age.
A female pioneer preceding Saariaho was Grace Williams. She studied under Vaughan Williams and became established by the mid-twentieth century, and was also Wales’ first symphonist. Her Fairest of Stars for soprano and orchestra is a shimmering, beautiful piece with text from John Milton’s Paradise Lost.
Sinfonia da Requiem from 1940 was a Japanese commission for a piece of music in celebration of the 2600-year anniversary of the founding of the Japanese Empire. Pacifist Benjamin Britten provided an incredibly powerful, yet deeply fateful work that surprised everyone.
The concert begins with music by American Andrew Norman (born 1979), which the Los Angeles Times described as “the leading American composer of his generation.” We hear his imaginative, vivid, and – as the title suggests – loose-lipped Unstuck.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
The Main Hall seating planThe Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
The Main Hall seating planTchaikovsky’s orchestral fantasy and Nielsen in Italian.
Wednesday 4 October 2023 18.00Alberto Navarra
Daniela Musca. Photo: Stefano Corso
Medlemmar ur Kungliga Filharmonikerna. Photo: Yanan Li
Tchaikovsky’s orchestral fantasy and Nielsen in Italian.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
The Main Hall seating planThe Carl Nielsen International Competition has been held in Odense, Denmark every three years since the 1970s. First place in 2022 in the flute category went to the young Italian flute player Alberto Navarra – and as the soloist in Carl Nielsen’s Flute Concerto, we can see why.
Italian Daniela Musca conducted at the latest Carl Nielsen competition in 2022. She debuted with the Royal Stockholm Philharmonic Orchestra at a summer concert in 2021 and was promptly invited to return. She now leads the orchestra in Tchaikovsky’s Romeo and Juliet, and the emotional music draws is into a love story that is tragic and famous in equal measure.
First we hear an energetic overture by German Emilie Mayer. She was one of the most significant German symphonic composers in the period between Schumann and Brahms and composed numerous large-scale works in the genre – inspired by Beethoven, among others.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
The Main Hall seating plan