Classical concerts

Full of inspiration, Robert Schumann began work on his second symphony in early December 1845. However, his depressions, poor health, and constant tinnitus meant that it wasn't until the following autumn that the symphony was completed. Yet, his severe personal condition has not left its mark on the music at all; instead, the symphony is bright and forward-looking, a resounding triumph over the darker aspects of life.

The concert begins with the Finnish composer Kaija Saariaho's hypnotically evocative Ciel d’hiver, Winter Sky – an arrangement of a part of her orchestral work Orion. The music is inspired by the Greek myth of the hunter Orion, who was transformed into a constellation. Saariaho's music possesses a strange beauty that makes her unique, and she is considered one of the most significant composers of our time. Saariaho passed away in 2023, and ten years earlier, she was awarded the Polar Music Prize.

Learn more about Chief Conductor Ryan Bancroft

Sibelius' Violin Concerto is one of the most performed violin concertos of the 20th century. However, its tonal language belongs to the late 19th century, and the music is warm and lyrical, dramatic and melancholic. Sibelius, himself a violinist, possibly wrote the concerto he himself would have wanted to play – albeit on a technical level far beyond his own. It is among the more challenging in the genre, as many violinists have attested.

Taking on the challenge is the Russian-born Israeli violinist Maxim Vengerov, one of the greats of our time, who has only performed with the Royal Stockholm Philharmonic Orchestra once before, and that was 30 years ago! He is ranked among the world's finest, and in addition to performing concerts on the major classical stages, he is a guest professor at both the International Menuhin Music Academy in Switzerland and the Royal College of Music in London.

Full of inspiration, Robert Schumann began work on his second symphony in early December 1845. However, his depressions, poor health, and constant tinnitus meant that it wasn't until the following autumn that the symphony was completed. Yet, his severe personal condition has not left its mark on the music at all; instead, the symphony is bright and forward-looking: a resounding triumph over the darker aspects of life.

The concert begins with the Finnish composer Kaija Saariaho's hypnotically evocative Ciel d’hiver, Winter Sky – an arrangement of a part of her orchestral work Orion. The music is inspired by the Greek myth of the hunter Orion, who was transformed into a constellation. Saariaho's music possesses a strange beauty that makes her unique, and she is considered one of the most significant composers of our time. Saariaho passed away in 2023, and ten years earlier, she was awarded the Polar Music Prize.

Learn more about Chief Conductor Ryan Bancroft

Icelandic Víkingur Ólafsson is currently one of the world's most acclaimed and sought-after pianists. The New York Times coined him ”Iceland's Glenn Gould”, and his recordings are showered with five-star reviews. This season, he is the Artist-in-Residence at Konserthuset Stockholm.

Following the success of Bach's Goldberg Variations, which he performed to a full house here at Konserthuset last season, he takes on more of the classical music world’s great Bs – Brahms and Beethoven. A few days before this concert, he  performs Beethoven’s late piano sonatas in a solo recital. Last autumn, he played Brahms' first piano concerto, and now Beethoven’s Emperor Concerto with the Royal Stockholm Philharmonic Orchestra.

When Beethoven moved to Vienna, it was as a pianist that he first made his breakthrough. Audiences were captivated by his dazzling technique and improvisational skill. At the heart of his piano output are the five magnificent piano concertos, with the Emperor Concerto being the fifth. The title Emperor Concerto refers to the majestic first movement, which begins with powerful orchestral chords and virtuosic arpeggios and runs spanning the entire keyboard.

French conductor Stéphane Denève also leads the Royal Stockholm Philharmonic Orchestra in American Stacy Garrop's beautiful Penelope Waits from 2013, inspired by Greek mythology, and mythological music with dance themes by Paul Dukas and Richard Strauss.

Icelandic Víkingur Ólafsson is currently one of the world's most acclaimed and sought-after pianists. The New York Times coined him ”Iceland's Glenn Gould”, and his recordings are showered with five-star reviews. This season, he is the Artist-in-Residence at Konserthuset Stockholm.

Following the success of Bach's Goldberg Variations, which he performed to a full house here at Konserthuset last season, he takes on more of the classical music world’s great Bs – Brahms and Beethoven. A few days before this concert, he  performs Beethoven’s late piano sonatas in a solo recital. Last autumn, he played Brahms' first piano concerto, and now Beethoven’s Emperor Concerto with the Royal Stockholm Philharmonic Orchestra.

When Beethoven moved to Vienna, it was as a pianist that he first made his breakthrough. Audiences were captivated by his dazzling technique and improvisational skill. At the heart of his piano output are the five magnificent piano concertos, with the Emperor Concerto being the fifth. The title Emperor Concerto refers to the majestic first movement, which begins with powerful orchestral chords and virtuosic arpeggios and runs spanning the entire keyboard.

French conductor Stéphane Denève also leads the Royal Stockholm Philharmonic Orchestra in American Stacy Garrop's beautiful Penelope Waits from 2013, inspired by Greek mythology, and mythological music with dance themes by Paul Dukas and Richard Strauss.