Konserthuset Stockholm

This year’s Composer Festival is dedicated to Thea Musgrave, one of the most prominent and respected composers of the United Kingdom. In 2018 she turns 90 years old; she is still highly active and will attend the festival. With her picturesque and dramatic music, she has a rare ability to take hold and draw the listener in to her multifaceted world.

Thea Musgrave often turns to visual art to find inspiration for her music. Or to history: many of her operas revolve around historical personalities, such as The Voice of Ariadne; Mary, Queen of Scots; Harriet, the Woman called Moses; Simón Bolívar and Pontalba.

Thea Musgrave was born in 1928 in Edinburgh, Scotland, where she studied at the university before moving to Paris. There, she spent four years studying at the conservatory under Nadia Boulanger. After her studies, she was active in London for a period before she became a professor at the University of California, Santa Barbara in 1970. Two years later, she moved permanently to the US, where she still lives.

Scotland’s Loch Ness is famous for its rarely seen sea monster. In this good-natured piece, the monster (tuba) rises up from the depths in search of the sun. After being warmed by the sun’s rays (trumpet) and an old Scottish melody, the sea monster returns to the depths of the sea with a mighty splash. A cool moon rises in the sky and a light breeze ruffles the water’s surface; all is calm.

Upon seeing one of sixteenth-century artist Piero di Cosimo’s frightening hunting paintings at the Metropolitan Museum of Art in New York, Musgrave had the idea that different pictures relating to seasons could be a metaphor for the stages of human life. She has given shape to this idea in The Seasons.

Night Windows is a painting by American artist Edward Hopper. Of the first version of Night Windows from 2007 for piano and oboe, Musgrave says: “Walking down the dark street, it is hard to resist looking in through the illuminated windows and seeing glimpses of other people’s lives. It sparks the imagination …”

Thea Musgrave found inspiration for Turbulent Landscapes from the English artist William Turner. These six movements, despite their shared inspirational material, are also very different. Each movement is based on a specific painting, except for the second, which is based on three paintings. In addition, someone from the orchestra is featured as a soloist in each movement. 

Read more about Thea Musgrave, opens in a new window

Buy all four concerts in a package and get 50 % discount

This year’s Composer Festival is dedicated to Thea Musgrave, one of the most prominent and respected composers of the United Kingdom. In 2018 she turns 90 years old; she is still highly active and will attend the festival. With her picturesque and dramatic music, she has a rare ability to take hold and draw the listener in to her multifaceted world.

Thea Musgrave often turns to visual art to find inspiration for her music. Or to history: many of her operas revolve around historical personalities, such as The Voice of Ariadne; Mary, Queen of Scots; Harriet, the Woman called Moses; Simón Bolívar and Pontalba.

Thea Musgrave was born in 1928 in Edinburgh, Scotland, where she studied at the university before moving to Paris. There, she spent four years studying at the conservatory under Nadia Boulanger. After her studies, she was active in London for a period before she became a professor at the University of California, Santa Barbara in 1970. Two years later, she moved permanently to the US, where she still lives.

For Thea Musgrave, whatever she is working on at the moment is always the most important. But of all the previous works, Concerto for Orchestra stands out in particular. She had just started conducting, and in a nightmare she saw before her how the orchestra began to protest and become obstinate. Around that same time she was tasked with a commission and she depicted the dream in Concerto for Orchestra. The first agitator is the clarinet, who attracts the others.

In Lady Caroline Lamb, the viola plays the main part. Richard Rodney Bennet composed this beautiful, emotional and eventful music for a movie about the aristocratic Lady Caroline. She had a much discussed affair with Lord Byron, but she married William Lamb, later known as Lord Melbourne, who became England’s Prime Minister.

At essentially the same time that this romantic drama played out with Caroline Lamb, the Scottish poet Robert Burns was active. He is considered one of Scotland’s most important writers and poets, and he is among Bob Dylan’s favourites. Musgrave composed Songs for a Winter’s Evening in honour of the 200-year anniversary of his death.

Scotland is often a tangible presence in Thea Musgrave’s music, for example in the Scottish dance suite we will hear here, based on old folk songs and dance melodies. 

Read more about Thea Musgrave, opens in a new window

Buy all four concerts in a package and get 50 % discount

The Stockholm Concert Hall at Hötorget is one of Sweden’s great architectural masterpieces. Created during a period of expansion in Stockholm, by the Swedish architect Ivar Tengbom, it opened in 1926. The Stockholm Concert Hall was built for the Royal Stockholm Philharmonic Orchestra and has since the start been the dedicated venue for the Nobel Prize Award Ceremony as well as many other prestigious events.

The tour is in Swedish.

This year’s Composer Festival is dedicated to Thea Musgrave, one of the most prominent and respected composers of the United Kingdom. In 2018 she turns 90 years old; she is still highly active and will attend the festival. With her picturesque and dramatic music, she has a rare ability to take hold and draw the listener in to her multifaceted world.

Thea Musgrave often turns to visual art to find inspiration for her music. Or to history: many of her operas revolve around historical personalities, such as The Voice of Ariadne; Mary, Queen of Scots; Harriet, the Woman called Moses; Simón Bolívar and Pontalba.

Thea Musgrave was born in 1928 in Edinburgh, Scotland, where she studied at the university before moving to Paris. There, she spent four years studying at the conservatory under Nadia Boulanger. After her studies, she was active in London for a period before she became a professor at the University of California, Santa Barbara in 1970. Two years later, she moved permanently to the US, where she still lives.

Scotland’s Loch Ness is famous for its sea monster. In this good-natured piece, the monster (tuba) rises up from the depths in search of the sun. After being warmed by the sun’s rays (trumpet) and an old Scottish melody, the sea monster returns to the depths of the sea with a mighty splash. A cool moon rises in the sky and a light breeze ruffles the water’s surface; all is calm.

Upon seeing one of sixteenth-century artist Piero di Cosimo’s frightening hunting paintings at the Metropolitan Museum of Art in New York, Musgrave had the idea that different pictures relating to seasons could be a metaphor for the stages of human life. This is precisely what she has depicted in the orchestral work The Seasons.

In Helios, it is instead Greek mythology which served as inspiration. The Greek god of the sun, Helios, moves across the canopy of the sky in his horse-drawn carriage. The oboe assumes the role of leader in the darkness and light of the music. At times, it is interwoven with the orchestra, but the soloist never loses command.

Thea Musgrave found inspiration for Turbulent Landscapes from the English artist William Turner. These six movements, despite their shared inspirational material, are also very different. Each movement is based on a specific painting, except for the second, which is based on three paintings. In addition, someone from the orchestra is featured as a soloist in each movement. 

Read more about Thea Musgrave, opens in a new window

Buy all four concerts in a package and get 50 % discount